Sorry I haven't posted for a looong time, but I was sick. Sooo, here's the post.

Lil Wayne’s “Love Me”: A Video Glamorizing Kitten Programming

Lil Wayne single “Love Me” (featuring Drake and Future) appears to be another rap song about easy girls and so forth. The symbolism of the video however adds a more sinister dimension to the song: It directly refers to Monarch Mind Control, specifically Kitten Programming, and even refers to its techniques. We’ll look at the symbolism of Lil Wayne’s “Love Me”.

At first glance, Love Me appears to be yet another song where rappers brag about how many “hos” they got. While some might shake their heads at the unoriginality of the subject matter, others might shake their heads at the way women are portrayed in the video. However, I’ll add another reason to shake your head: Love Me refers to the most terrible practice on earth, Monarch Mind Control. In short, Beta Programming (also known as Kitten Programming) is used to create brainwashed sex slaves.

This programming eliminates learned moral convictions and stimulates the primitive instincts devoid of inhibitions. This training Program (usually for women) is for developing the “ultimate prostitute”. This is the most used (by the abusers knowledgeable of the Project Monarch) program.- Mark Phillips, Operation Monarch

As we’ll see in this article, the video contains ALL of the possible symbolism relating to Kitten Programming and it also emphasizes the slave status of the women in the video. Lil Wayne’s girls are literally locked in cages and depicted as animals. They are also shown in situations that subtly allude to actual MK torture techniques that used to traumatize slaves and cause them to dissociate from reality. Of course, everything is portrayed in a cool and fashionable matter, to make sure young people embrace all of this with even realizing it. Let’s look at the meaning of the video.

Women as MK Slaves, Rappers as Handlers

In the very first seconds of the video, we see a semi-subliminal image that announces what the video is all about.

For about a second, the fire from the lighter takes the shape of a Baphomet head. This is a kind of “stamp of approval” of the occult elite and an important symbol used in MK programming.

The song is about how women apparently love Lil Wayne. In the video, they however don’t seem to have much of a choice because they are TRAPPED IN CAGES, inside a very dodgy-looking compound.

Future sings about how “b*tches love him”… but he’s not about to free them from their cages. This contradictory scene somewhat relates to how MK slaves are programmed to identify with and even “love” their handler through confusing mind games.

Locking slaves in cages an actual Monarch Programming  technique to discipline, traumatize and dehumanize the victims.

A painting made by trauma-based mind control survivor Kim Noble depicting children locked in cages and observed by a handler.

The many close-up shots of girls during the video all somehow allude to an aspect of Kitten Programming. Here are some of them:

This model has a feline prints on her face (which is used in mass media to refer to Kitten programming). To make sure you get the message, she also has cat eyes and is licking her “paw”. At this point, the video is basically screaming out KITTEN PROGRAMMING.

Licking a blade is maybe sexily dangerous, but also refers to the mix of inhibiting lust and physical abuse involved in Kitten Programming.

This headgear is reminiscent of BDSM stuff but is also a way to represent a slave’s mind being trapped and controlled by a handler.

Kittens are trained to truly embrace their state of servitude. This model appears to be loving her chain very much. A little too much.

This model has a huge butterfly covering one of her eyes, which is probably the most blatant reference to Monarch mind control in the video.

In the video, Lil Wayne somewhat plays the role of the handler, where he’s basically in control of these mesmerized women.

Here, Lil Wayne is in a bedroom that is full of water with women swimming in it. Aside from the fact that this water will probably cause a lot of water damage in that room, it is also a way to show that these slaves are literally “out of their element”. Also, notice the frame on the left with butterflies in it. Yes, this is all about Monarch programming.

One of Lil Wayne’s first rhymes is:

“These hos love me like Satan, man!”

We then see a quick flash of this image:

Lil Wayne as Satan, man.

This line is perplexing for a few reasons. Why do these “hos” love him like Satan? Is he implying that they were loving Satan to begin with? Whether it was intentional or not, this line has profound implications in the realm of Monarch Programming, as slaves are often victims of SRA (Satanic Ritual Abuse), are made to participate in traumatic rituals (where female slaves become “brides of Satan”) and so forth. Sometimes MK handlers tell their slave they are Satan himself while they are abusing them to further trauma.

“Alters within a Monarch slave are conditioned by their servitude to believe that their life is controlled by Satan, who is
stronger than God. Where was God when they needed him?”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

Another one of Wayne’s rhymes is strangely reminiscent to the kind of dialogue a Kitten slave would have with a handler.

She say “I never wanna you make you mad,
I just wanna make you proud”
I say “baby, just make me c*m,
Then don’t make a sound”

Soulless … like a MK handler.

The last part of the video is also somewhat disturbing. It begins with “kittens” entering a white room.

They move like cats. You know, like in Kitten programming.

They then reach a bathtub full of red liquid (blood) and, for no apparent reason, make a big mess.

The girls are all covered in blood, rolling around in it and everything. Is that supposed to be hot or something? Who in their right mind would do that? Nobody. But these women are NOT in their right mind.

Once again, this scene subtly refers to an actual Monarch practice that is used to traumatize slaves and engender dissociation.

“In searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work “wonderful” to split the mind. Along this line, the following are samples of traumas done to program slaves:
(…)

C. Immersion into feces, urine and containers of blood. Then being made to eat these things. These are standard traumas.”
- Ibid.

While the real life implication of this scene is horrible, everything is nevertheless portrayed in a cool and stylized matter, where the models keep doing sensual faces to the camera (in real life, these faces would be completely distorted with pain).

Like many other pop songs, Lil Wayne’s Love Me has a simple surface meaning–him not caring about haters as long as his “hos” love him–but the music video adds a very sinister underlying meaning. Regular readers of this site understand that there’s an undeniable pattern of reoccurring symbolism in popular culture and Love Me definitely adds to it. Indeed, in this video, ALL of the symbolism that is associated with Kitten Programming (one eye, butterflies, animal prints, etc.) is represented in the video, along with various references to real life Monarch Programming practices. While each individual element could have been present in the video to symbolize something else than MK-Ultra, tell me … what are the odds that ALL of these symbols being “randomly” inserted in one, four-minute video? As is the case for other videos reviewed on this site, it is not about pointing out single instances of random symbols, but understanding each piece as a whole and the hidden realities it refers to. One these hidden realities is Monarch programming, one of the occult elite’s favorite practices, one that can be traced back to what Springmeier calls “generational satanic families”.

While rap has always had a healthy dose of macho bravado, Love Me is a deformation of this “tradition”, as it adds a sick, perverted twist to it, including allusions to violence, abuse and even torture. As years go by, this “pushing of the envelope” becomes more apparent as the original culture around hip-hop is slowly but surely becoming “Illuminati-friendly”. Like many other movements in society, hip-hop has been co-opted by the elite to be used as a tool to indoctrinate young people. Are there still real rappers out there? Yes, tons of them. But you’ll probably never seen them on the Grammys.

What’s Up With Room 322 at Hotel ZaZa?

Hotel ZaZa is a stylish inn located in Houston, Texas. While the hotel is known for its luxurious suites, a recent post on Reddit revealed the existence of the mysterious “Room 322″. This room it is not advertised on the hotel’s website and, in short, is the definition of creepy. This is what the Redditor posted:

stay here frequently when on business. Hotel was booked solid and my colleague managed to score a room unplanned. We all had normal zaza style rooms (swank) and he ended up in this goth dungeon closet.

Seriously- the room had a chain holding the bed to wall, pictures of skulls and a creepy, incongruous portrait of an old man. Room was about 1/3 the normal size with the furniture blocking part of the TV, bed and window.

We asked about it at the front desk and the clerk looked it up and said ” that room isn’t supposed to be rented.’ and immediately moved him.
- Source: Reddit

Here are pics of the room, each of which kind of raises concerns about what actually happens there.

Unlike any other room in the hotel, the floor is cold, hard, dirty concrete,

The room is about a third of the size of other rooms in the hotel and is the only one with brick walls. The mirror is embedded in the brick wall, leading some to believe that it is actually a two-way mirror…

The bed is chained to the wall. Why?

Skull frame on the wall. Rather appropriate since 322 is the Skull and Bones’ sacred number.

Skull clock

Those that are aware of the occult elite’s symbolism know that 322 is the “sacred” number of the Skull & Bones secret society (to which belong the likes of George W. Bush, George Bush Sr. and John Kerry).

Official Skull and Bones logo prominently featuring the number 322.

A very creepy painting above the bed depicting two girls with dead eyes and deformed, elongated necks. Does this image represent split personalities?

Another creepy image above the bed of a guy with huge eyes. He doesn’t look nice at all.

Overseeing the room is the picture of a suited man. Appaerently, it is Jay Comeaux, President of Stanford Group Company. Why is this random elite guy on the wall? Does he have something to do with the Skull and Bones?

This looks like the perfect place to traumatize someone.

When the story came out, people from the hotel’s PR responded that room 322 was a theme room entitled “Hard Times” and was meant to recreate a “prison experience”. This room is however not advertised anywhere and, as some people noted, there is nothing in that room that really recalls a “prison experience”. Do jail cells have huge mirrors, brick walls and frames of skulls, weird deformed faces and company CEOs on walls? Not really.

Another strange fact, a year before this story came out, a book author posted on her blog a little something about room 322 as well. This is what she wrote about it:

“When I checked into Houston’s Hotel ZaZa at midnight on Thursday night, there was some confusion. My first room was a themed room, known as the Hard Times room; this skull was on the wall. A few minutes after I got there, the front desk called up and said they had to move me; the people at the front desk were deeply upset at the thought of me being stuck in this room.”
- Source: Pop Culture Nerd

Apparently, hotel staff do not want everyday visitors to stay in that room. Is this room called “Hard Times” because it is used for occult elite trauma-inducing rituals? Cannot say for sure, but this is definitely a sinister site. Man, I got scared bu the pics, I can imagine that I'd be terrified if I had to sleep one night there. I mean, my bed is chained?!

here’s a commercial for Swarovsky featuring the one-eye sign.

Another ad features a mask, an important symbol of Mind Control.

 

 

The fashion set “in 0 sense” features a lot of MK-related symbolism. Even this title page has a bunch of butterflies, which can hint to Monarch programming.

The “models” of the set are actually an amalgamation of many different women ; eyes from one, lips from another, etc.. The result is rather creepy but it somewhat goes perfectly with the theme of Mind Control and its dehumanization techniques…And this girl has Baphomet horns as a hairdo.

In this image, the girl has a typewriter on her chest. If one would type of on it, the letters would hit the model right on her mouth. Is she an MK-slave being told what to say? Also, notice the skulls around or nose missing – symbolizing death and the lost of power. Of course, one of the model’s eyes is hidden.

Another “staple” in MK symbolism is Mickey Mouse ears (a reference to Mickey Mouse programming) and boy are they used in mass media. Here’s Carly Rae Jepsen sporting them.

Former child star Dakota Fanning on the cover of Glamour.

Chloe Moretz in Teen Vogue, wearing Mickey Mouse ears – but not  really feeling in a playful mood.

In the same photoshoot, Moretz sports a cap saying “Brainwash” and an All-Seeing Eye, which kind of complements the Mickey Programming reference.

Taylor Swift’s Grammy performance was one, big, nightmarish tribute to an MK-Ultra favorite: Alice in Wonderland. The music industry apparently never EVER tires of referring to it. In this pic, we see Taylor and the White Rabbit – as in “follow the White Rabbit through the looking glass”, a trigger phrase to encourage dissociation in Mind Control.

The performance featured a whole lot of dualistic black and white patterns – widely used in Mind Control.  Here we see a poor guy being tortured on a hypnotic-patterned wheel. MK Galore.

There was also a guy with a one-eye thing going on (at the right of the pic) and a puppet being controlled by a giant “handler”. Yup, MK galore.

 

Carrie Underwood’s performance ended with a bunch of Monarch butterflies leaving her dress – the ultimate symbol for Monarch Programming. The song she was performing, Blown Away, is about her killing an abusive father – something that can refer to the concepts of trauma-based MK and dissociation. The music video of the song also subtly refers to The Wizard of Oz (an MK programming tool).

Happy Valetines day!

Jimmy Savile Was Part of Satanic Ring; Other BBC Star Stuart Hall Charged with Sexual Abuse on Children (Part 2)

Other BBC Star Stuart Hall Charged with Sexual Abuse on Children

More proof that we are dealing with an elite network of child abuse: BBC sports commentator Stuart Hall was charged with rape and sex offenses against children. Hall had close ties with the Royal Family and was even made Officer of the Order of the British Empire by Queen Elizabeth in 2012. The Royal Family sure loves child abusers.

BBC star with royal links charged with rape, sex offenses against children

LONDON — A BBC sports commentator and entertainer — so popular that members of Britain’s royal family once took part in his game show — has been charged with raping a woman and indecently assaulting girls as young as nine, according to police.

Stuart Hall, 83, who was made an Officer of the Order of the British Empire by Queen Elizabeth in 2012 for services to broadcasting and charity, was arrested Tuesday morning after going to a police station voluntarily. He had covered soccer for BBC Radio 5 Live until recently.

The Associated Press noted the allegations had deepened “concerns about sex abuse by top BBC personalities decades ago.”

In 1999, more than 50 British lawmakers signed a motion in parliament to congratulate Hall for 40 years in television with one, Tom Pendry, describing him as an “icon with the youth of today.”

Hall, famed for laughing hysterically, has commentated on soccer matches since the 1950s. He is known for his off-the-wall approach to covering the sport.

He also hosted the comedy game show “It’s a Knockout” in the 1970s and 1980s.

In 1987, four members of the U.K. royal family – Prince Andrew, Princess Anne, Prince Edward and Sarah, Duchess of York — took part in a one-off version of the show for charity, which was hosted by Hall. Stars such as Meatloaf, John Travolta and John Cleese also participated.

In a statement Tuesday, Lancashire Constabulary said Hall, of Wilmslow in Cheshire, England, was alleged to have raped a 22-year-old woman in 1976.

“The indecent assault offences are alleged to have been committed between 1967 and 1986 and to involve 10 girls aged between 9 and 16 years,” the statement said.

Hall was given bail Tuesday and is due to appear before a court in Preston on Feb. 7.

In December, police said Hall had been charged with three counts of indecent assault.

The charges against Hall come amid a string of claims that famous Britons committed sexual offenses, mostly during the 1960s and 1970s.

These came to light after it emerged that the late Jimmy Savile, who was one of Britain’s top entertainers for decades, was a prolific sex offender.

Earlier this month, police released a report cataloging more than 50 years of rapes and indecent assaults, saying he had committed at least 214 sex crimes against victims as young as 8.

Like Hall, Savile was also honored by the British queen, receiving a knighthood.

A number of other high-profile figures have been questioned by police, including former glam rock singer Gary Glitter and comedian Freddie Starr, who both deny any wrongdoing.

- Source: NBC News

Super Bowl 2013 Recap: The Illuminati Agenda Continues

The 2013 Super Bowl featured the Sandy Hook chorus, Jennifer Hudson, Alicia Keys, Beyoncé, a whole bunch of advertisements and, oh yeah, a football game.Here’s a recap of the noteworthy elements that occurred in the 2013 Super Bowl, the TV event of the year.

The Sandy Hook Chorus

Jennifer Hudson sings with the Sandy Hook Chorus … a group that was NOT created by the young kids that are part of it.

Children that survived the shooting are currently being used in all kinds of media events. A few weeks ago, they recorded Over the Rainbow (an MK-Ultra trigger song) and were made to perform on live television. For the Super Bowl, the Sandy Hook Chorus was sent to New Orleans to sing before 70,000 spectators and millions of TV viewers. Why? Why do we keep bringing this horrible shooting to the center stage? To remind people that “gun control is good”? Isn’t it very sad and ironic that these kids must sing America the Beautiful after witnessing a horrible massacre, one that might have been caused by a mind-controlled patsy? Why are these kids being booked and flown to all kinds of nerve-wrecking mass media events? Is this still part of their “healing process”? Why are they being mixed with the Illuminati entertainment industry? Shouldn’t they be home with their friends and families instead of being under the spotlight? The exploitation of their image is rather unsettling.

The performance was led by an industry-favorite, Jennifer Hudson -  aka the “new Whitney Houston” – who is always chosen to perform in important occasions. Hudson also survived a strange and terrible tragedy, with the triple-murder of her mother, brother and nephew in 2008.

The Half Time Show

The best word I can use to describe the half-time show is “Beyoncé-ish”. It was like, sooooo Beyoncé. After “singing” (kinda) at the Obama inauguration, Beyoncé was again the star of a major event. No need to say that she’s an industry favorite, a figure-head of the Illuminati music industry. As described in several articles on this site, the symbolism in her work clearly indicates who she is working for. While her half time show was not the big, pharaonic occult display of Madonna’s 2012 show, we still witnessed the mind-control symbolism that is usually part of Beyoncé’s material.

The entire show focused on duality and the multiplying of personalites, two concepts that are extremely important in Monarch mind control.

The first and most visible cue to the concept of duality and alter-personas is the stage itself which consists of two faces that somewhat look like Beyoncé.

The stage is made up of two faces mirroring each other, an image evoking duality and multiple personalities.

The first part of the show contained a combination of symbols and visual effects that refer to the concepts of duality and multiple personalities.

At the beginning of “Baby Boy”, Beyoncé dances in front of a black and white background (a representation of duality). Through video effects, she then “multiplies herself”.

Here we see one black silhouette (which is Beyoncé, the “core” personality) and two white silhouettes (alters personas?).

The two white silhouettes turn into real human Beyoncé look-a-likes who dance with her for a while. We then see a lot of lights flashing and confusing effects, making us wonder who is the real Beyoncé. The blurring between reality and illusion is a focal point of mind control and is aptly displayed here.

Even the saxophone girl, with her Masonic checkerboard pattern dress, conveys the concept of duality.

At one point, the screen behind Beyoncé displays the classic symbol representing the fracturing of personalities, one that is almost ALWAYS part of MK-themed narratives.

The screen that displayed alter personas and dualistic patterns shatters (emphasized with a loud sound effect), a symbol indicating the fracturing of persona in MK symbolism.

The first part of the show was therefore all about duality and multiple Beyoncés. Then, the group Destiny’s Child was randomly brought back from the late-90s to sing along with one of Beyoncé’s solo hits. During Single Ladies (Put a Ring on It), Beyoncé briefly flashes a hand sign – one that readers of this site probably already know all too well. This gesture generated a lot of media attention.

Beyonce flashing the “ROC” hand sign.

Quite a few mainstream websites such as Yahoo! and Huffington Post published articles about this hand sign, asking if Beyoncé was “flashing an Illuminati symbol”. These articles however all come to the same conclusion: Beyoncé was doing the ROC sign to shout-out her husband’s label (duuuh) and everyone who thinks otherwise is a moron. Many of the articles then provide a quick, half-assed recap of what the Illuminati is, making sure to distort many facts to make the whole thing seem completely idiotic. This trend is becoming increasingly appearent on the web and mass media.

I admit that the mainstream sources are right: This hand sign is indeed the “ROC sign”. But here’s my question to these “journalists”: Where does the ROC sign come from? What does itrepresent? Why does a label named Roc-A-Fella (a nod to the Rockefellers, one of the most powerful Illuminati elite families) uses a triangle hand sign to represent itself? How about going a little further than the obvious superficial answer for a change, mainstream media?

The ROC hand sign refers to the All-Seeing Eye within a triangle, the ultimate Illuminati symbol.

In Judaism, the gesture is known as Kohanim hands Priestly Blessing. It is depicted here on 18th Century grave.

The hand sign is not random. It signifies something and flashing it during the Super Bowl tells a lot about who is running the show.

Also, to respond to the ridiculous claims of those mainstream articles: No, Beyoncé and Willow Smith are not IN the Illuminati. They are USED by the Illuminati-owned music industry to push an elite agenda. Pop artists are pawns who signed a contract binding them to the elite and requiring them to do their bidding. Most readers of this site know this already, but there is growing push in mainstream media to discredit “conspiracy theories” by writing stuff like “Look at these idiots who think that Beyonce is part of an 18th century secret society”.

Anyhow, let’s look at the rest of the Super Bowl.

Lights Out

During the 3rd quarter of the football game, half of the lights go out. It was caused by a mysterious “anomaly” that caused the system to shut down.

Considering the Illuminati sub-text of the event, I cannot help but think about the occult pseudo-meaning of having half of the stadium basking in light and having the other half being in darkness. I am not saying this happened on purpose, but it is still an interesting synchronicity. One thing is for sure, the “glitch” energized the 49ers, who scored a few touchdowns and got back in the game. All of a sudden, this lost cause became interesting and the fourth quarter was rather … thrilling. Apparently, Mercedes-Benz knew that would happen.

This Mercedes-Benz magazine ad was eerily correct.

While the ad seemingly refers to the fourth quarter of the fiscal year, the literal meaning of the ad is still perplexing, considering what happened at the game.

If we combine this ad with the one I described in The 2013 Mercedes Super Bowl Commercial and its Occult Message(article), one can at least say that Mercedes-Benz brought a lot of strangeness to the SuperBowl.

While things were somewhat more subdued and abstract in this year’s SuperBowl (versus the 2012 edition), there were still many elements that went right along the Agendas described on this site. When we combine all of the elements together, we realize that there’s a common and reoccurring theme going on, one that points directly to the “hidden hand” of the Illuminati and its many Agendas.

The mass media coverage of Beyoncé’s Illuminati hand sign, also reflects a new trend: Mass media are now directly addressing, discrediting and ridiculing “conspiracy theories” (I hate that term) in order to make sure that people do not start thinking too much about the strange things they are witnessing on TV. Media coverage of Sandy Hook also followed that trend as several TV personalities went on air to “debunk” the theories. Fortunately for the powers that be, most people still teared up when they saw the Sandy Hook chorus standing in the middle of the SuperDome, singing about how America is beautiful. Yes, America is beautiful, but the elite that run it, and who exploit people’s lives and emotions to push their own Agenda, is most definitely not.

Oh yeah, and the Ravens won the game.